Paperback
978-1-77212-037-0Size: 6" x 9"
Pages: 344
epub
978-1-77212-149-0Pages: 344
Kindle
978-1-77212-150-6Pages: 344
Pages: 344
Counterblasting Canada
Marshall McLuhan, Wyndham Lewis, Wilfred Watson, and Sheila Watson
Edited by Gregory Betts, Paul Hjartarson and Kristine Smitka
In 1914, Wyndham Lewis and Ezra Pound—the founders of vorticism—undertook an unprecedented analysis of the present, its technologies, communication, politics, and architecture. The essays in Counterblasting Canada trace the influence of vorticism on Marshall McLuhan and Canadian Modernism. Building on the initial accomplishment of the magazine Blast, McLuhan’s subsequent Counterblast, and the network of artistic and intellectual relationships that flourished in Canadian vorticism, the contributors offer groundbreaking examinations of postwar Canadian literary culture, particularly the legacies of Sheila and Wilfred Watson. Intended primarily for scholars of literature and communications, Counterblasting Canada explores a crucial and long-overlooked strand in Canadian cultural and literary history.
Contributors: Gregory Betts, Adam Hammond, Paul Hjartarson, Dean Irvine, Elena Lamberti, Philip Monk, Linda M. Morra, Kristine Smitka, Leon Surette, Paul Tiessen, Adam Welch, Darren Wershler.
Book details
Publication date: May 2016Features: Bibliography, notes, index
Keywords: Literary History/Cultural History
Subject(s): LITERARY CRITICISM / Modern / 20th Century, Literary History/Cultural History, Literary Criticism, Canadian Studies, LITERARY COLLECTIONS / Canadian, Anthologies: general, Literary History/Cultural History
Publisher(s): The University of Alberta Press
Book details
Publication date: May 2016Features: Bibliography, notes, index
Keywords: Literary History/Cultural History
Subject(s): LITERARY CRITICISM / Modern / 20th Century, Literary History/Cultural History, Literary Criticism, Canadian Studies, LITERARY COLLECTIONS / Canadian, Anthologies: general, Literary History/Cultural History
Publisher(s): The University of Alberta Press
Gregory Betts. Gregory Betts is the Chancellor’s Chair for Research Excellence at Brock University, the Director of Canadian Studies, and an Associate Professor in English. He is the author of Avant-Garde Canadian Literature: The Early Manifestations (UTP 2013).
Paul Hjartarson. Paul Hjartarson is Professor Emeritus in English and Film Studies at the University of Alberta. His most recent book, co-authored with S.C. Neuman and EMiC UA, is The Thinking Heart: The Literary Archive of Wilfred Watson (UAP 2014).
Kristine Smitka. Kristine Smitka teaches in the Department of English and Film Studies at the University of Alberta. To better understand the relationship between print and digital forms of publishing, her research focuses on the paperback book as a medium that defies the old vs. new media binary.
Leon Surette.
Elena Lamberti.
Adam Hammond.
Adam Welch.
Paul Tiessen.
Philip Monk.
Dean Irvine.
Linda M. Morra.
Darren Wershler.
"Reading Counterblasting Canada one has the impression that this quartet—Lewis, McLuhan, and Wilfred and Sheila Watson—and their thinking about culture touched just about every discipline and genre available in the mid to late twentieth century…. Finally, then, these collections not only open up new critical conversations about Watson and others, they remind us that our provocative predecessors are also mentors who might help us reimagine the liberal arts in the neo-liberal university." [Full review at http://www.thebullcalfreview.ca/sheilawatson.htm]
"[The essays] coincide and illuminate a narrative attentive to modernist and postmodernist discourses, patterns of influence, media theory, and the future of the humanities more generally.... While every essay is rich in theory and critical reflection, it is witnessing career- and life-altering conversations unfold on every page of this book that is sometimes most engrossing. Those conversations are made all the more impressive by the archival research peppered throughout.... The model of influence presented in Counterblasting Canada is compelling because it is partly a site of conflict.... Counterblasting Canada will have obvious appeal to communications, media studies, or Canadian literature scholars (especially those interested in the recent conversationsabout later modernism, intermodernism, and the like..." Canadian Literature 232 (Spring 2017) [Full review at http://canlit.ca/article/collaborations-and-collisions-in-the-canadian-vortex]
XIII Introduction // Gregory Betts, Paul Hjartarson, and Kristine Smitka
Analepsis
1 Remembering McLuhan // Leon Surette
The Art of Being Read
2 The New Canadian Vortex: Marshall McLuhan and the Avant-Garde Function of Counter-Environments // Gregory Betts
3 Watson, McLuhan (& Lewis): Conscious (Modernist) Solitudes, Challenging Canadians // Elena Lamberti
4 Excellent Internationalists: How Sheila Watson and Marshall McLuhan Made Wyndham Lewis Influential // Adam Hammond
II The Antennae of the Race
5 Dispatches from the DEW Line: McLuhan, Anti-Environments, and Visual Art across the Canada–US Border, 1966–1973 // Adam Welch
6 Wilfred Watson, Playwright: Writing (to) McLuhan // Paul Tiessen
7 Marshall McLuhan, General Idea, and Me! // Philip Monk
III Art and Anti-Environment
8 Sheila Watson, Wyndham Lewis, and Men without Art // Dean Irvine
9 “His Name Is Felix”: Artist as Catalytic Agent and the Counter-Environment in Sheila Watson’s The Double Hook // Linda M. Morra
10 Magic, Monstrosity, and “the Mechanization of Death”: Sheila Watson and Marshall McLuhan’s Dialogue on Photography // Kristine Smitka
Prolepsis
11 Marshall McLuhan as Vanishing Mediator // Darren Wershler
277 Works Cited
293 Contributors
295 Index
Gregory Betts. Gregory Betts is the Chancellor’s Chair for Research Excellence at Brock University, the Director of Canadian Studies, and an Associate Professor in English. He is the author of Avant-Garde Canadian Literature: The Early Manifestations (UTP 2013).
Paul Hjartarson. Paul Hjartarson is Professor Emeritus in English and Film Studies at the University of Alberta. His most recent book, co-authored with S.C. Neuman and EMiC UA, is The Thinking Heart: The Literary Archive of Wilfred Watson (UAP 2014).
Kristine Smitka. Kristine Smitka teaches in the Department of English and Film Studies at the University of Alberta. To better understand the relationship between print and digital forms of publishing, her research focuses on the paperback book as a medium that defies the old vs. new media binary.
Leon Surette.
Elena Lamberti.
Adam Hammond.
Adam Welch.
Paul Tiessen.
Philip Monk.
Dean Irvine.
Linda M. Morra.
Darren Wershler.
"Reading Counterblasting Canada one has the impression that this quartet—Lewis, McLuhan, and Wilfred and Sheila Watson—and their thinking about culture touched just about every discipline and genre available in the mid to late twentieth century…. Finally, then, these collections not only open up new critical conversations about Watson and others, they remind us that our provocative predecessors are also mentors who might help us reimagine the liberal arts in the neo-liberal university." [Full review at http://www.thebullcalfreview.ca/sheilawatson.htm]
"[The essays] coincide and illuminate a narrative attentive to modernist and postmodernist discourses, patterns of influence, media theory, and the future of the humanities more generally.... While every essay is rich in theory and critical reflection, it is witnessing career- and life-altering conversations unfold on every page of this book that is sometimes most engrossing. Those conversations are made all the more impressive by the archival research peppered throughout.... The model of influence presented in Counterblasting Canada is compelling because it is partly a site of conflict.... Counterblasting Canada will have obvious appeal to communications, media studies, or Canadian literature scholars (especially those interested in the recent conversationsabout later modernism, intermodernism, and the like..." Canadian Literature 232 (Spring 2017) [Full review at http://canlit.ca/article/collaborations-and-collisions-in-the-canadian-vortex]
XIII Introduction // Gregory Betts, Paul Hjartarson, and Kristine Smitka
Analepsis
1 Remembering McLuhan // Leon Surette
The Art of Being Read
2 The New Canadian Vortex: Marshall McLuhan and the Avant-Garde Function of Counter-Environments // Gregory Betts
3 Watson, McLuhan (& Lewis): Conscious (Modernist) Solitudes, Challenging Canadians // Elena Lamberti
4 Excellent Internationalists: How Sheila Watson and Marshall McLuhan Made Wyndham Lewis Influential // Adam Hammond
II The Antennae of the Race
5 Dispatches from the DEW Line: McLuhan, Anti-Environments, and Visual Art across the Canada–US Border, 1966–1973 // Adam Welch
6 Wilfred Watson, Playwright: Writing (to) McLuhan // Paul Tiessen
7 Marshall McLuhan, General Idea, and Me! // Philip Monk
III Art and Anti-Environment
8 Sheila Watson, Wyndham Lewis, and Men without Art // Dean Irvine
9 “His Name Is Felix”: Artist as Catalytic Agent and the Counter-Environment in Sheila Watson’s The Double Hook // Linda M. Morra
10 Magic, Monstrosity, and “the Mechanization of Death”: Sheila Watson and Marshall McLuhan’s Dialogue on Photography // Kristine Smitka
Prolepsis
11 Marshall McLuhan as Vanishing Mediator // Darren Wershler
277 Works Cited
293 Contributors
295 Index
